Drift Of The Multiverse: [Marvel] [Resident Evil] [DC] [Bleach] [DB] - Chapter 205: Asgard

A certain Xiao wang* embraced her who was in men’s clothing, rolled over onto the ground, not neglecting to kiss her with burning kisses.

She who was going to war on behalf of her brother yelled out, “Wangye*, I am a man! A man! Do you see clearly?”

Wangye acted as if nothing happened, accurately captured two fragrant, soft and sweet lips, one kiss after another: “This wang am recently sexually inclined towards males!” A certain female’s tiny waist was being crushed as she tearfully pled, “Wangye, please spread the rain and dew!”

A certain Xiao wang: “There are many potential lovers to choose from, but this wang only wants one.”

She, Linghu Shui Yue, a military doctor from the modern era, has reincarnated into a stupid sixteen year old girl?

She stupid? Then she’ll stupidly hit Qi* wang! Fortune favors fools! How about changing a husband to play with? What is Qi wang? She heard that You* wang was the world’s most beautiful man! Sleep, of course one must sleep the world’s number one beautiful man! Marry, of course she must marry the man all the women in the world want to marry!

But, isn’t this man too black-bellied? There was no need for her to even think about it for the man voluntarily presented himself at her door and used all sorts of wiles and methods to marry her as consort! There’s a conspiracy! Then come! And see how she sees through the subterfuge and completely demolishes it.

- Description from Novelupdates

Necromancer】, Originating from ancient Europe, these mysterious wizards were often male, knowing how to summon and enslave the souls of the deceased to create undead creatures. Usually, those who practiced this craft had frail bodies, pale complexions, and twisted psyches, shunning and distrusting others. Some, who mastered the art, could even trade their flesh for an immortal Lich’s life. But can someone tell me how to practice the art of necromancy in the 21st century? In a law-abiding society, I can’t even get a skeleton! Misumi Mikoto: Doctor Chen, come quickly and help me examine this body; I can’t find the cause of death! Jounouchi Hiromi: Doctor Chen, come check on this patient first; what exactly is wrong with him?

Having transmigrated to a new world and becoming an ordinary Blacksmith in a Blacksmith Shop, Ye Feng shortly has the Master Blacksmith System activated.

Fast-paced and sizzling with a forbidden enemies-to-lovers romance, My Fault is the first book in Mercedes Ron’s Culpable trilogy. This suspenseful YA series untangles the threads of love, trauma, and secrets, perfect for fans of Ugly Love and After.Noah and Nick’s relationship started with the most passionate of fires, but after Noah’s mistake, it might have all just gone up in smoke. Nick can’t forgive her. Can’t trust her. Can’t be with her—but he also can’t stay away from her, no matter how he tries. And their inevitable crash back together will ignite the wildest flames yet. But Nick and Noah’s red-hot collision course is marked with a new and dangerous set of challenges, and the stakes aren’t just broken hearts—they’re life and death. The two will have to decide once and for all if they are truly made for each other, or if burning everything to the ground is their only chance at a future. Love might not be enough to save them, and sometimes even | forgiveness can’t fix what’s been broken.As the translator of the Culpable trilogy series Culpa Mia,Culpa Tuya,Culpa Nuestra ; by Mercedes Ronn, it is important to address the readers with a respectful permission and advice. Firstly, it is important to acknowledge that the story belongs to the author and all rights are reserved to her. As the translator, I've been granted permission to translate the story into English for a wider audience. Secondly, it is important to advise the readers to approach the story with an open mind and respect for the cultural and societal norms presented within it. The story is set in Spain and deals with themes such as love, family, and societal expectations. Some readers may not be familiar with these themes or may have different perspectives on them, but it is important to approach the story with an open and respectful attitude. Lastly, any criticism or feedback should be constructive and respectful towards the author and the translator. Personal attacks or derogatory comments will not be tolerated and will be addressed accordingly. The goal is to share the story with a wider audience and promote cultural understanding and appreciation.