The King's Enchanting - Chapter 31 - 32 Escape 2

Aren't you tired of the typical cultivation story, where an isekai'd person comes into the world and becomes a brutal or selfish person? I know I am. So instead of being fully changed by the world, I want this protagonist to stick to their beliefs and help to change the world (and people) for the better. There will still be main character development and tests of those beliefs, but I want them to maintain that aspect.

Brief Synopsis:

American is thrown into a typical Xuanhuan cultivation world where the masses of the people are typically sacrificed for the abilities of the few. This is meant to be an alternate take on how protagonists approach these worlds. Main character comes into the world w/ scanning, healing, and monster taming abilities.

The release schedule will begin on Dec 1st. The schedule is 2 chapters/week (Tue & Fri) at 11pm. Please like, comment, and follow, as that helps me to gauge interest in the series.

Final note: I notice that many cultivation novels treat abuse or sexual assault as a throwaway tool to set a stage. I think the way it is normally done is both lazy and a disrespectful to victims. If you have any suggestions on how I can improve the way I've done it in this series, please let me know.

I want to do this the right way.

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Dear readers! Without any ads, maybe you will prefer .

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.

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