There's No Love In the Deathzone (BL) - Chapter 21 - 20. The Black Pearl

Bad End Night is a novel by Hitoshizuku-P, based on a series of Vocaloid songs, the NighT Series. The plot revolves around eight actors trapped in a never-ending play, seeking a way to escape.

The past life Ji Anran: “Geng Yan, let’s get back together.”

Geng Yan, who was dumped: “I refuse. You have powers anyway, and you can live well without me.”

After rebirth, the weak chicken Ji Anran: “Geng Yan, let’s get back together.”

The dumped Geng Yan: “I refuse.”

Ji Anran, lying dead: “I have no power, you don’t care about me, just let me get cold1.”

Geng Yan: “… …” The unsuccessful Geng Yan can only take away the weak chicken, one cannot put sand on the wall2 Ji Anran.

Later… what about the ordinary person without the strength to truss a chicken?! Who’s the guy in the day?

- Description from Novelupdates

Su Xiaoman is a fake daughter of a wealthy family. She is not related to her biological parents. She is rejected by her adoptive parents.
When she woke up again, she found herself wearing a book and became the village flower Su Xiaoman in the 1970s.
Su Xiaoman is the best wife of a chronology villain male supporting role.
The original Su Xiaoman, who dislikes poverty and loves the rich, is devoted to climbing high branches, and is obsessed with Jiang Yantang, the educated youth male protagonist who just went to the countryside.
Su Xiaoman is unwilling to marry Xie Mingtu because of his innocence, and is still obsessed with the male protagonist Jiang Yantang. Who knows that not long after, the second brother of the male protagonist Jiang Yantang went to the countryside to visit relatives, and found that the poor boy Xie Mingtu was the child of the Jiang family, and the male protagonist Jiang Yan Tang was held wrong.
Xie Mingtu returned to Jiang’s house in the courtyard, but he was ridiculed and ridiculed because he was gloomy and vulgar, and he couldn’t compare to the fake boy Jiang Yantang, and his wife was even more obsessed with Jiang Yantang…
In this way, Xie Mingtu was completely blackened, mad and ruthless, and became the biggest villain in the book, and ended up tragically.
When Su Xiaoman opened her eyes, Xie Mingtu, the biggest villain in the book, was about to feed her rice soup. Her clothes were tattered and her bones were thin. When she saw her wake up, her tone was humble and cautious:
“Manman?”
When Xie Mingtu thought that the woman would not give him any response, a pair of slender and tender hands grabbed his thin wrist.
The former wealthy fake daughter x the real son of the courtyard
[Growing-up male and female protagonists, the male protagonist has super potential. In the early days, he drove a tractor in the village, and later joined the army to fly a plane. 】

Content tags: sweet text through the book chronological text
Search keywords: Protagonist: Su Xiaoman ┃ Supporting role: ┃ Others:
One sentence introduction: True and false collision.
Purpose: work together, work together to become rich, and live an optimistic and positive life in the era of struggle.

- Description from novelbuddy

This is the story of a young man who was reincarnated as a dragon with a near-insatiable curiosity. Initially sparked by questioning his own reincarnation, he quickly gets lost in the endless world of magic, using his deep understanding of advanced sciences to learn the laws and properties of a new type of energy known as mana.However, soon enough, the table would flip, and he would begin using that very same energy to expand his knowledge of science, to the point that he would begin questioning his own understanding of the world.Although not his original intention, with the combination of his intelligence, expanding curiosity, and the 'miracles' that occurred to allow for his existence, he quickly found himself climbing the mountain of strength as if it were a small hill before eventually climbing to a point where it seemed as if he himself was the peak itself.Even if.. that was never the case...There is mild gore, and profanity is 'censored' toward the beginning, but not later in the story.